Showbiz Sandbox 88: How Many Producers Does A Movie Need?
January 17, 2011
Other than some pointed barbs from comedian Ricky Gervais this year’s Golden Globe Awards were truly predictable. Nicole Sperling of the Los Angeles Times attended the ceremony and tells us all about it. She also explains why the Academy Awards only allow three producers to be nominated for each Best Film nominee. Relativity’s Ryan Kavanaugh is one of six producers on “The Fighter”, but not when it comes to the Oscars.
We are also joined by Aaron Rich, the gentleman blogger behind All The Movies I Watch and They’ll Love It In Pomona. While many media outlets are cutting back on movie critics, Aaron is part of a wave “amateur” critics who are making use of the Internet to share their passion for cinema.
Taylor Swift continues to make news with her new album. “Speak Now” topped the Billboard 200 chart again, but did so by selling the fewest units ever for a number one album. And the record industry isn’t alone in suffering from decreased sells. Video game revenue dropped 6% in 2010.
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Showbiz Sandbox 85: How To Save The Movie Business
December 27, 2010
In an age of video on demand and mobile computing, the traditional method for releasing films doesn’t seem to be working. As ticket prices rise, moviegoing and ticket sales are declining. Even worse, the fastest declining segment of moviegoers is young adults who can’t find movies that speak to their generation. Independent producer Cotty Chubb has proposed a potential solution to the problem, but it requires the participation of reluctant theater operators.
In a open letter to Relativity Media topper Ryan Kavanaugh published on IndieWire, Chubb suggests that riskier movies be released “day-and-date” at lower prices not only in theaters but on multiple platforms such as DVD and iTunes. He joins us for an in-depth discussion about his plan and how to bring audiences back to the movies.
As 2010 comes to a close we take a look at some of the year’s highest grossing and most pirated films. We also say goodbye to our co-host Karen Woodward whose career as a social media consultant has truly taken off.
Of course, we cover the week’s top entertainment headlines during Big Deal or Big Whoop, including the latest news from the Broadway version of “Spider-Man”, a delay in the next “DaVinci Code” movie and Steven Soderbergh’s rumored retirement. Our Inside Baseball topic focuses on SoundExchange and the music industry’s rising digital fortunes.
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Showbiz Sandbox 83: The Social Network Tops Critics Year-End Picks
December 13, 2010
Even the latest “Chronicles of Narnia” film can’t steal the spotlight from “The Social Network”. David Fincher’s little Facebook movie is the toast of critics groups throughout the country with most selecting it as the year’s best film. “Blue Valentine” may be getting overlooked when it comes to top awards, but the MPAA decided to downgrade the film’s NC-17 rating to a more marketable R.
Spotify, Europe’s leading online music service, still hasn’t launched in the United States thanks to licensing disputes with the record labels. We’ll just have to be satisfied with watching music videos on YouTube where artists like Rhianna, Eminem and Justin Bieber rake in millions from advertising.
Disney and ABC aren’t relying on YouTube to make money online with their television shows. Instead, they struck a lucrative licensing deal with Netflix who will stream the shows to to paying subscribers.
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Showbiz Sandbox 76: Taking On The Hobbit And Ticketmaster Down Under
October 25, 2010
Our friends Down Under generated a lot of entertainment news this past week. In New Zealand a union boycott of “The Hobbit” may cause Warner Bros. to relocate the production to another country. Director Peter Jackson has publicly opposed such a move, but as the Hollywood Reporter’s Jonathan Handel explains, this may just be Warner Bros. way of negotiating better government tax subsidies.
Over in Australia, Rupert Murdoch’s News Corp. has launched Foxtix, a live event ticketing service aimed at capturing a share of Ticketmaster’s business. Taking on Ticketmaster is a difficult and expensive fight, but Adam McArthur, the head of Foxtix, fills us in on how the company will differentiate itself in the market.
Former Australian native and current Hollywood pariah Mel Gibson was all set to make a comeback with a cameo in “The Hangover 2”, but Warner Bros. decided he was just too much trouble and opted for Liam Neeson.
Meanwhile, in television news the Fox network pulled its programming from Cablevision’s channel lineup over a retransmission fee dispute. Don’t worry, Cablevision’s customers were still able to follow the baseball playoffs through Twitter posts from the Federal Communications Commission. Read more
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Showbiz Sandbox 14: Zooey Deschanel Proves It’s Twee To Be You And Me
August 3, 2009
First off, we took care of a little internal business by welcoming entertainment journalist Michael Giltz as an official co-host.
Alonso Duralde joins us this week. Alonso is the film critic at MSNBC.com and the author of “101 Must-See Movies for Gay Men
We asked Alonso to join us because of a story he wrote for msnbc.com called “Do You See What I Twee?”, as it related to the latest movies. He described the essence of twee as “avoiding the fashionable, the obvious, the predictable, the mundane in an attempt to be, for lack of a better phrase, showily unshowy…It’s about replacing one calculated technique of visual and cultural cues with another.” It’s an apt description of one of the more popular movies out this summer, “(500) Days of Summer,” and its lead, Zooey Deschanel. We also just love saying the word “twee.” Read more
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