Showbiz Sandbox 609: Consumers Are Spending A Fortune on Home Entertainment

According to Digital Entertainment Group, consumers in North America spent $37 billion on home entertainment in 2022. That includes not only spending on streaming services, but also DVD, Blu-ray and digital sales. Not to mention physical and digital rentals. And none of these figures includes spending on cable television.

Meanwhile, awards season is in full swing with the SAG Awards, PGA Awards, Annies and the Cesars all being handed out over the past week. We’ll give you the quick summary and what it all means for the Oscars.

Of course we also cover the week’s top entertainment headlines including how Warner Bros. Discovery and Paramout are in a dispute over “South Park,” Stephen Fry will host “Jeopardy” in the United Kingdom and new “Lord of the Rings” movies are in the works.

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Showbiz Sandbox 573: Paramount Takes A Global Approach to Streaming

During its most recent earnings call ViacomCBS outlined how they plan on reorganizing the media giant to compete with streaming leaders such as Netflix. First they are bringing content from all of their current services into Paramount+ and retaining the rights to popular programming such as “South Park.” They announced a glut of new projects including a new “Star Trek” movie and to hammer the point home changed the company name to Paramount Global. Wall Street immediately responded by selling off shares.

Meanwhile, the Academy Awards announced their COVID health and safety guidelines for this year’s Oscars ceremony. Masks and proof of vaccine will be required, depending on who you are, where you’re sitting and whether you’re appearing on the telecast. Everyone seems to agree, the rules are confusing and don’t seem to make much sense.

Of course we also cover the week’s top entertainment headlines including how actor Tom Holland is ruling the box office in two different movies, more leadership shakeups at CNN and Netflix strikes a deal with comedian Dave Chappelle.

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Showbiz Sandbox 473: There Is A Disturbance In The Chinese Force

The “Star Wars” franchise was never a huge phenomenon in China the way it was elsewhere in the world, so it wasn’t much of a shock when the latest installment, “Star Wars: The Rise of Skywalker” flopped in its opening weekend in the country. It even came in second behind a local martial arts epic from Donnie Yen. In fact, eight out of the top ten earning movies in China during 2019 were homegrown hits as the country’s annual box office reached new heights.

The box office won’t break any records in North America this year, despite the strong opening of “Star Wars: The Rise of Skywalker.” A film version of the Andrew Lloyd Webber musical “Cats” sure isn’t helping either. It opened to scathing reviews and grosses to match. Good news though, a new version of the film should be in theaters for its second week.

Meanwhile, Netflix released subscriber info region by region and investors liked what they heard. Obviously, Netflix has hit peak subscribership in the United States, but when you look at how the company is doing in the rest of the world, you can see its customer base is growing substantially.

Of course we also cover the week’s top entertainment headlines including a new owner for Miramax, NBC/Universal reveals the pricing for the upcoming streaming service and “South Park” rules cable television for the seventh year in a row.

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Showbiz Sandbox 466: How Hollywood Kowtows to China

Entertainment companies are finding themselves in compromising positions when it comes to avoiding political pitfalls in China. Movie studios and media conglomerates don’t want to disrupt their bottom line by appeasing Chinese authorities while surrendering their creative freedom. The result is that companies distributing content in China find themselves censoring themselves.

“South Park,” on the other hand, chose an alternative path; directly offending the Chinese government and immediately being banned throughout the country. Even when companies do kowtow to the Chinese government, they find themselves getting into trouble at home and abroad. Just ask the producers of the animated film “Abominable,” an animated film which was banned in the country for showing a map that favored China’s disputed territorial claims.

Meanwhile, the new television season started. Not that you’d know it based on the ratings, which are down almost any way you slice them. And the clear message is this: people’s viewing habits have changed, probably forever, and it’s not going to help TV channels trying to sell eyeballs to advertisers.

Of course we also cover the week’s top entertainment headlines including a tie for this year’s Booker Prize, Netflix somehow adds even more subscribers and a big Hollywood talent agency scraps its long awaited IPO.

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Showbiz Sandbox 465: Ang Lee’s Latest Science Project

Filmmaker Ang Lee is arguably one of the best directors to ever step behind a camera. He’s made acclaimed films such as “Crouching Tiger, Hidden Dragon,” “Brokeback Mountain” and “Life of Pi,” winning three Oscars along the way. However Lee’s latest efforts have been more concerned with filmmaking technology than their script.

That was certainly the case with “Gemini Man,” an action film that stars Will Smith playing an assassin opposite a digitally de-aged version of himself. Geoff Boucher of Deadline spoke with Lee about the challenges of making the film, which was shot in high frame rate at 120 frames per second.

Meanwhile, China deleted “South Park” from the airwaves (and the internet) after a new episode mocked the country’s human rights record. Then China canceled the broadcast of an NBA basketball game being played in Shanghai after a league executive showed support for anti-government protestors in Hong Kong. We discuss what this means for all the businesses that want a piece of the Chinese market but don’t want to damage their brand worldwide.

Of course we also cover the week’s top entertainment headlines including the Nobel Prize for Literature is awarded to a controversial writer, a new K-Pop supergroup storms the music charts and Apple launches an in-house production studio with some big name talent.

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Showbiz Sandbox 381: Telluride and Toronto Continue To Shape Awards Season

Each year the Venice, Telluride and Toronto film festivals are held so closely together their programming often overlaps as each vies to land titles that will be in the running for major awards (read: Oscars). Anne Thompson, Indiewire’s editor at large, has just returned from Telluride and Toronto and she fills us in on all the festival season favorites.

While Thompson was in Toronto enjoying movies like “The Shape of Water” from director Guillermo del Toro, film buyers were struggling to find anything to pick up. There was a general sense that all the worthwhile titles had been cherry picked before the festival even began.

Meanwhile the Emmy Awards were held over the weekend honoring the best television from the past year. At this year’s ceremony a disruptive streaming video provider made a big splash, though not the one everyone expected. Hulu took home the Best Drama Emmy for “The Handmaid’s Tale”, despite Netflix having three shows nominated in the category.

Of course we also cover the week’s top entertainment news including the head of NBC admitting most of its primetime viewership is not watched live, George R. R. Martin’s new TV series and MoviePass surpsasses 400,000 subscribers in under a month.

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Showbiz Sandbox 380: Hollywood Gets Pummeled by Rotten Tomatoes

With North American box office declining 15 percent over last year, Hollywood suffered its worst summer box office in 20 years. One main reason, studios believe, is the popularity of the movie review aggregation website Rotten Tomatoes, which brands titles as either “fresh” or “rotten”. The site has become so influential studios now try and game the system by handpicking critics for certain releases.

Disney, on the other hand, isn’t waiting for reviews to be in on its latest Star Wars movies before tweaking them. “Episode IX” is just the latest to lose its director over creative differences with Lucasfilm, which is quickly gaining the reputation as a tough place to be a filmmaker.

Meanwhile, one of North America’s largest brick-and-mortar book retailers reports that sales are off 6% in the latest quarter as consumers shift to buying online. Don’t worry however, the company has a great plan for fixing their sales problem; open more stores.

Of course, we also cover the week’s top entertainment news including how Amazon wants to produce a hit television show, the end of an era at Vanity Fair magazine and the mystery behind who will distribute the next James Bond movie.

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Showbiz Sandbox 344: Did the Media Bungle The 2016 Election?

We don’t cover politics on Showbiz Sandbox per se, however we do provide analysis and commentary on the worldwide media and entertainment industries. Thus, we discuss the role, and some might say the culpability, of the news media in the outcome of the 2016 presidential election. While there is no doubt some divisiveness over the election of president-elect Donald Trump, there seems to be unanimous consensus that mainstream media blew it… bigly.

We also take a look at the impact the results of this year’s presidential election will have on the entertainment business. Deals currently in the works may have a tougher time getting approved, and decisions that passed years ago may be in danger of being overturned.

China meanwhile has passed a new film industry law intended to crack down on box office fraud and promote “core socialist values”. It weaves a new layer of protectionism into the business by requiring that two thirds of the country’s movie screens be reserved for Chinese films.

Of course we also cover the week’s top entertainment news including the why IMDb is going to court over its right to post actors ages, Universal Pictures makes some changes at DreamWorks Animation and Robert Redford’s retirement plans.

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Showbiz Sandbox 287: The Unofficial Line On This Year’s Comic-Con

Pop-culture fans from around the world made their annual pilgrimage to San Diego over the weekend for this year’s Comic-Con.  More than 130,000 attendees turned up to a show where the largest auditorium has a capacity of 6,000. Alex Billington, editor of FirstShowing, explains how some fans had to wait in line for days (literally) to get into popular panel discussions such as the one for “Star Wars: Episode VII”.

Billington waited out the neverending lines so he could fill us in on all the events, panels, trailers and collectibles designed to build hype for upcoming films and television shows like “Hateful Eight”, “Batman v Superman: Dawn of Justice” and “Deadpool”. In fact, so many movie studios and television networks showed up at Comic-Con, and with so much content, one has to wonder if their marketing messages weren’t ultimately lost in all the noise.

Meanwhile, the Minions spinoff from the “Despicable Me” franchise opened to record box office in North America giving Universal Pictures yet another big hit this year. Surely the studio will want the animated film to stick around cinemas for as long as possible, whereas Paramount Pictures has teamed up with two theater chains in an experiment to shorten the release window on certain films.

Of course we also cover the week’s top entertainment news including a request from publishing groups for an antitrust investigation targeting Amazon, “South Park” continues to redefine television thanks to a new deal with Hulu and the Rolling Stones continue their reign as the concert industry’s top earner.

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Showbiz Sandbox 210: Record Labels Look To YouTube As The New Radio

Instead of promoting new releases through traditional avenues such as radio and television, record labels are beginning to rely on YouTube as the most effective method for reaching younger audiences. As Dawn C. Chmielewski, an entertainment writer for the Los Angeles Times explains, its not just musicians that are getting a boost from this new practice, but also some of the self-made tastemakers who have become YouTube stars.

Television networks are also beginning to love technology, specifically DVRs. Though the industry has long despised the timeshifting devices which allow viewers to skip commercials, executives are once again discovering how they can significantly boost ratings.

Meanwhile, more details are emerging about why the film adaptation of “Fifty Shades of Grey” lost its male lead. Beyond being uncomfortable with his new found stardom, Charlie Hunnam was also pushing for script revisions according to some reports.

Of course, we also cover the week’s top entertainment news stories including why the creators of “South Park” missed the deadline for their latest episode, “The Lion King” becomes Broadway’s first billion dollar production and the hit television series “Glee” announces its final season.

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