Showbiz Sandbox 442: Apple Finally Unveils Their Content Plans

After years of anticipation and endless speculation, the technology giant Apple finally announced its plans for its video streaming service. Not only will Apple TV now be available on all smart televisions and integrate with existing cable providers, it will offer a la carte over the top services. What’s more, Apple revealed a slate of six homegrown series marking its first foray into original content.

Apple is not starting small either, launching their service with shows from some of the biggest names in Hollywood, including Steven Spielberg, J.J. Abrams, Jennifer Aniston and Reese Witherspoon, to name just a few. The only thing they didn’t make public about Apple TV+ is its subscription price.

And while new digital streaming platforms are all the rage, there is still plenty of money to be earned at the theatrical box office. Official numbers for 2018 have now been finalized, with North American box office rising 7%, helping boost worldwide receipts 2% to over $41 billion.

Of course we also cover the week’s top entertainment headlines including the contentious talks between the WGA and talent agencies over packaging fees, Disney officially acquires Fox and the Library of Congress adds 25 new sound recordings to the National Recording Registry.

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Showbiz Sandbox 389: The Ever-Growing List of Hollywood’s Sexual Harassment Accusations

Six weeks after allegations of sexual abuse and harassment against media mogul Harvey Weinstein were first reported by the New York Times, there seems no end to the number of Hollywood players being accused of misconduct. Kevin Spacey and Louis C.K. may be the biggest stars to have their careers upended thus far, but they won’t be the last as everyone from actor Jeffrey Tambor to talent agents to politicians and even journalists are having similar claims made against them.

The unanswered question is how the entertainment industry will implement changes to ensure sexual harassment will come to an end. Instead, there is concern of a backlash should the public grow tired of hearing about the latest offense to come out of Hollywood’s ranks.

Meanwhile, suing someone these days as become the industry’s second favorite past-time, right after wondering whose vile behavior will finally come back to haunt them. The hit TV show “Supernatural” is apparently losing money after years on the air, while director George Miller says “Mad Max: Fury Road” did not go over budget and he’s suing Warner Bros. to prove it.

Of course we also cover the week’s top entertainment news including some new FCC media ownership rules, Sony nabs Quentin Tarantino’s next movie and the NFL is still proving attractive to advertisers.

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Showbiz Sandbox 181: Why The Grammys Telecast Matters More Than Ever

While winning a Grammy Award can boost a musician’s record sales temporarily, a knockout performance during the widely viewed ceremony can launch a career. Simply ask Mumford & Sons who stole the show during the 2011 telecast and on Sunday took home the 2013 Grammy for Album of the Year. Will the Lumineers, who performed at this year’s ceremony, follow in their footsteps?

David Wild, a contributing editor for Rolling Stone magazine, helped write the Grammy telecast as he has for the past 12 years. He joins us to discuss how the show was put together, working with host LL Cool J and some of the elements that came off without a hitch (projecting images onto Carrie Underwood’s dress comes to mind). Wild even reveals John Mayer’s secret life as a joke writer.

Meanwhile, digital downloads are already outpacing physical sales in music and will surely do so with books and movies in the not too distant future. But what happens when you want to sell off all those media downloads in the now non-existent digital secondhand market? Amazon is trying to patent technology that will make such sales possible.

Of course we cover the week’s top entertainment headlines including how “The Walking Dead” continues to increase viewership, an end to Don Johnson’s lawsuit over “Nash Bridges” and why some concerts may be sold out before tickets ever go on sale.

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