Showbiz Sandbox 181: Why The Grammys Telecast Matters More Than Ever
February 11, 2013
While winning a Grammy Award can boost a musician’s record sales temporarily, a knockout performance during the widely viewed ceremony can launch a career. Simply ask Mumford & Sons who stole the show during the 2011 telecast and on Sunday took home the 2013 Grammy for Album of the Year. Will the Lumineers, who performed at this year’s ceremony, follow in their footsteps?
David Wild, a contributing editor for Rolling Stone magazine, helped write the Grammy telecast as he has for the past 12 years. He joins us to discuss how the show was put together, working with host LL Cool J and some of the elements that came off without a hitch (projecting images onto Carrie Underwood’s dress comes to mind). Wild even reveals John Mayer’s secret life as a joke writer.
Meanwhile, digital downloads are already outpacing physical sales in music and will surely do so with books and movies in the not too distant future. But what happens when you want to sell off all those media downloads in the now non-existent digital secondhand market? Amazon is trying to patent technology that will make such sales possible.
Of course we cover the week’s top entertainment headlines including how “The Walking Dead” continues to increase viewership, an end to Don Johnson’s lawsuit over “Nash Bridges” and why some concerts may be sold out before tickets ever go on sale.
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Showbiz Sandbox 175: Fixing Electronic Oscar Voting In One Easy Step
December 31, 2012
When the Academy of Motion Picture Arts and Sciences announced it would allow electronic voting for this year’s Oscar nominations many industry insiders felt it was long overdue. However with a median age of 62, the Academy’s membership may not be ready to cast ballots online. Heck, some members don’t even have computers.
Now reports have emerged that the Academy’s electronic voting procedure has hit a few speed bumps. Members have had password problems and those that were able to log into the voting system found it difficult and complicated. Some fear that voting for the Oscars will reach an all-time low. Yet there may be a very simple way to overcome some of the security concerns the Academy and its members have in casting online ballots.
The National Film Registry cast a vote of their own last week, adding 25 films to its archives in the Library of Congress, declaring them culturally, historically or aesthetically significant. Unfortunately this doesn’t necessarily mean these films will actually be preserved.
Of course, we cover the week’s top entertainment headlines, including a lucrative holiday box office, big changes for “The Walking Dead” and a historical court ruling for screenwriters.
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Showbiz Sandbox 169: How TV Networks Learned To Stop Worrying And Love The DVR
October 29, 2012
Major networks used to bemoan the use of DVRs out of fear that audiences would use them to skip over commercials. However, with DVRs in almost half of all US homes, they have begun touting the big audience increases some of their shows get after factoring in time shifted viewing. Scott Collins, a television reporter with the Los Angeles Times, discusses modern-day TV ratings and how the industry is coping as viewing habits change.
And if you thought television networks were in trouble, they’ve got nothing on the film industry. If you were to believe folks like film critic David Denby and a recent New York Times article, movies may not even be relevant anymore.
Talent agencies aren’t immune from all the changes affecting the industry. Last week the longtime head of ICM Partners, one of the world’s largest ten percenteries, announced he’d be leaving to start a new agency.
Of course, we also cover the week’s top entertainment news including how a child sex abuse scandal at the BBC, the merger of publishing giants Penguin and Random House, and an Amy Winehouse musical.
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Showbiz Sandbox 168: Why TV Audiences Abandoned Broadcast Networks
October 22, 2012
The start of the new television season has been a huge disappointment for broadcast networks with ratings down as much as 28% on Fox. Only NBC has seen an increase in viewership in key demos and after years of coming in fourth among networks, now finds itself bouncing back. Why have audiences abandoned broadcast television? Here’s a hint; it has to do with zombies.
Industry analysts fault lackluster new series and strong programming alternatives on cable for broadcast networks latest woes. We provide a rundown of which new shows might stick around for a while, those that might be put on hiatus and which have already gotten the ax.
If you paid to download any of this season’s new TV shows you may be interested to know that you are only licensing the right to view them and don’t actually own them outright. Two upcoming court cases may help resolve the issue, if they don’t wind up muddying the waters further.
Of course, we also cover the week’s top entertainment news including the new agreement between Dish and AMC, Beyonce’s new Super Bowl gig, and the end of Newsweek as a print magazine.
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Showbiz Sandbox 145: Rise of Playlisters Marks The Death of Music Blogs
April 16, 2012
Last week Doug Freeman, a music critic for the Austin Chronicle, wrote an opinion piece in response to a Hypebot interview in which Sean Adams, the founder of Drowned In Sound, suggested music blogs are no longer influential. Freeman joins us to explain that if blogs were simply gateways to new music discovery, then the streaming playlister is the new music blogger. New influencers and kingmakers will emerge in a shifting editorial landscape.
We also take you to the first weekend of this year’s Coachella Music Festival where more than 150 acts strutted their stuff to an more than 100,000 attendees. Headliners such as Radiohead and The Black Keys proved to be big hits, but Dr. Dre and Snoop Dogg stole the show by performing with a picture perfect hologram of the late Tupac Shakur.
“The Hunger Games” continues to feast on the North American box office, but the number one movie in the world this past weekend was “Titanic 3D” thanks to a record breaking opening in China.
We also cover the week’s top entertainment headlines including Mel Gibson’s public fight with a screenwriter, an extended run for “Game of Thrones” and an anti-trust lawsuit against major publishing houses.
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Showbiz Sandbox 142: Is The MPAA Rating System Broken?
March 26, 2012
Though the MPAA often rates more than 700 films per year, the number of rating disputes rarely reaches the double digits. This year however eight films have already appealed their ratings and it’s not even April. Has the MPAA lost touch with modern culture or are filmmakers beginning to push the boundaries with edgier content? Ethan Noble, of Motion Picture Consulting, helps guide filmmakers and studios through the ratings process. Noble, who recently tried to appeal the restrictive rating on the documentary “Bully”, provides an overview of the MPAA’s rating system and tells us whether it needs to be fixed.
Speaking of the MPAA, they released their annual report on the motion picture industry. Moviegoing may have declined 4% in North America, but overseas revenue grew more than 5% and is booming in markets such as China and Japan.
We previously predicted that Broadway shows such as “Sister Act” and “Priscilla, Queen of the Desert” would close by now. Despite playing to half empty theaters and consistently losing money, they are still running night after night. What gives?
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Showbiz Sandbox 136: Crafting A Story For The Grammys Through Triumph and Tragedy
February 13, 2012
Los Angeles Times entertainment reporter Geoff Boucher was on assignment at the Grammy Awards when he heard about the the sudden death of pop star Whitney Houston over the weekend. While still covering music’s biggest night, Boucher was given two hours to write Houston’s obituary for the Sunday paper.
At the same time, David Wild was backstage at the Grammys putting the finishing touches on his script for the telecast. A contributing editor at Rolling Stone and best-selling author, Wild had less than 24-hours to work with Grammys producer Ken Ehrlich and revise the awards in the wake of Houston’s passing.
After an exhausting weekend Boucher and Wild join us to discuss how this year’s Grammys focused on two voices; one looking to the future with Adele winning six awards and one honoring the past by mourning the fresh tragedy of Houston’s death.
A whopping 40 million people watched this year’s Grammys telecast, though if we were to believe Nielsen few of them were under the age of 24. Brian Stelter of the New York Times stops by to explain why young people are watching television less often.
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Showbiz Sandbox 115: Record Industry Wages A Quiet War Over Song Rights
August 15, 2011
When the United States copyright law was revised in the mid-1970’s a little-known provision was included that lets musicians and songwriters reclaim ownership of their recordings after 35 years. Artists such as Bryan Adams, Bob Dylan, Loretta Lynn, Tom Petty and Tom Waits are set to regain control of their recordings starting in 2013 thanks to these “termination rights”. Rather than lose control of works worth millions of dollars, New York Times culture reporter Larry Rohter discusses how record labels plan to fight the provision in court.
Also picking a fight is Disney, which halted production of “The Lone Ranger” which was to star Johnny Depp and be directed by Gore Verbinski. Does pulling the plug on Jerry Bruckheimer’s latest blockbuster mean that Depp will refuse participate in another “Pirates of the Caribbean” sequel?
AMC has had its fair share of scuffles lately. After numerous disputes with the creators of their hit shows, AMC has become not only one of the most acclaimed cable networks in recent memory, but also one of the most troubled.
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Showbiz Sandbox 114: Hollywood Overflows With Streaming Content Deals
August 1, 2011
Digital distribution of television shows, movies and music has become quite trendy in Hollywood. Not a week goes by that companies such as Netflix, Spotify, Hulu and others aren’t in the news cutting some sort of deal with a big studio, television network or record label. This past week retail giant Amazon and online video portal YouTube made big additions to their streaming content libraries while Fox decided to limit those who could view their shows online. We provide a rundown of all the recent announcements and what they might mean for you, the consumer.
We are also joined by Roger Goff, an entertainment attorney with Wolf, Rifkin, Shapiro, Schulman & Rabkin. He helps us understand a few recent lawsuits filed by television producers, especially one in which the producer of “American Idol” is suing Fox over not being made an executive producer on the upcoming reality series “X-Factor”.
Speaking of legal issues, it turns out the NBCUniversal Comcast merger wasn’t as much of a done deal as everyone thought. A federal judge is threatening to hold up approving the union claiming it may not be in the “public interest”.
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Showbiz Sandbox 79: A New Social Music Chart To Rival Billboard?
November 16, 2010
Media measurement company BigChampagne believes that ranking songs and musicians based on radio airplay and record sales is an antiquated method. Joe Fleischer, the company’s Chief Marketing Officer, explains how they’ve added social platforms such as YouTube, Facebook and Pandora into the mix to create the Ultimate Chart, a new music chart giving industry heavyweights Billboard and Soundscan a run for their money.
Speaking of media metrics, the biggest entertainment launch in history occurred last week and it wasn’t a James Cameron movie. In fact, it wasn’t a movie at all, but a video game. “Call of Duty: Black Ops” earned a record setting $360 million in its first day alone.
If that’s not strange enough for you, the biggest headlines coming out of the Country Music Awards may not have been from winners Miranda Lambert and Blake Shelton or even the red hot Taylor Swift. Instead it was actress Gwyneth Paltrow who performed the title song from her upcoming movie “Country Strong”. Paltrow proved she can really belt out a tune, though whether that helps rehabilitate her career or image remains to be seen.
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