Showbiz Sandbox 101: How Jay-Z Went From Street Corner To Corner Office
May 2, 2011
Starting out on the streets of Brooklyn, New York as a drug dealer in the late 1980s, hip-hop star Jay-Z has transformed himself into a recognizable brand encompassing music, clothing, restaurants, nightclubs and an NBA basketball team. Our guest this week is Forbes staff writer Zack O’Malley Greenburg who tells the improbable story of how Jay-Z rose to the top of the business world in his new book, “Empire State of Mind: How Jay-Z Went from Street Corner to Corner Office
Another brand that has proven their business acumen is home video subscription service Netflix. The company, which reported record first quarter numbers this past week, soon will have a number of competitors, including the likes of YouTube, DirecTV and Comcast.
Maybe Vin Diesel can turn himself into a mega-brand, proving he can still open a film on a global scale with “Fast Five”, the fifth installment in the “The Fast and The Furious” franchise. The film earned mega-bucks this past weekend, despite being up against the summer blockbuster “Thor” in international territories.
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Showbiz Sandbox 98: Why New Distribution Models Terrify Hollywood
April 4, 2011
Movie studios, television networks and record labels still haven’t updated their business models to account for video and music streaming services like Netflix and Spotify. Now companies such as Amazon, Google and Apple plan on introducing a whole new group of media subscription services. With premium video-on-demand on the horizon it’s no surprise the entertainment industry is concerned about all these disruptive distribution methods.
One of the biggest players in the current content licensing wars has been Netflix. Showtime and Starz began pulling shows from the video rental giant, while Fox and Paramount offered up popular series and hit movies. Cable operators have also entered the fray by allowing viewers to watch live television on mobile device apps.
The creator of “Mad Men” was embroiled in his own fight with AMC and Lionsgate over the future of the series. In the end, Matthew Weiner was able to reach an agreement on a new contract, though new episodes won’t air until 2012.
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Showbiz Sandbox 6: Down With ‘Up’ And Other Contrarian Opinions
June 1, 2009
We are excited to be joined by journalist Anne Thompson of Thompson On Hollywood who recently returned to the United States after covering the Cannes Film Festival. You may remember Anne as the West Coast Editor for Premiere Magazine and Film Comment, not to mention her stint as the Deputy Film Editor at The Hollywood Reporter. She’s also written for a plethora of media outlets including, The New York Times, Washington Post, Wired and LA Weekly. Anne fills us in on who scored big at this past year’s festival and who wound up spinning their wheels.
There was plenty to talk about this week with Pixar’s tenth animated film “Up” winning praise from both critics and audiences. The film earned $68.2 million during it’s opening weekend in North America, but not a dime from Karen Woodward who’s not a fan of animated films (or as she calls them. . . cartoons). “Up” may just give “The Hangover” a run for its money when it opens next week. The comedy flick from director Todd Philips has been receiving a lot of buzz as a potential sleeper hit. Another animated film trying to capture people’s attention is Robert Zemeckis’ take on “A Christmas Carol”. Though it’s not due out until November of this year, Disney has launched a promotional tour which will have clips of the film visiting 40 cities over the next six months by train. Actor Jim Carrey tells us why another version of the classic tale is being made. Read more
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