Showbiz Sandbox 636: Why Streaming Subscriptions Are Getting More Expensive

November 1, 2023

When Netflix announced its earnings for the third quarter of 2023 it also confirmed that it would be increasing prices for those that don’t want to view ads. Amazon recently said it would also be raising the price for the ad-free tier of Prime Video. It turns out these streaming services have discovered they make more revenue per subscriber when they are willing to watch ads. Now all they need to do is scale their advertising subscriber-base.

Meanwhile, there are signs that talks to settle the actors’ strike may be going well. Though the strike’s damages have already been done with studios postponing releases until 2025 and television ad rates plummeting.

Of course we also cover the week’s top entertainment headlines including why music publishers are taking legal action against artificial intelligence companies, how record labels are trying to prevent artists from re-recording their albums and the untimely death of Matthew Perry.

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Showbiz Sandbox 593: This Year’s Emmy Awards Turns Into A Rerun

September 16, 2022

The 74th Annual Prime Time Emmy Awards were held this week and they managed to honor most of the winners from last year’s ceremony. The same shows, and at times the same actors, continue to top most of the big categories. This begs the perennial question, what is the actual purpose of the Emmy Awards?

Meanwhile, the world’s second largest movie theater chain officially filed for bankruptcy. We discuss what this will mean not only for Cineworld, but also whether the move will affect the industry-at-large.

Of course we also cover the week’s top entertainment headlines including how “CoComelon” is creating video games for toddlers, the Sundance Film Festival names a new head director and a Bollywood movie tops the worldwide box office.

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Showbiz Sandbox 578: The Oscars Get Slappy With It

March 29, 2022

If there was ever a year to speak with Indiewire Editor-at-Large Anne Thompson the day after the Oscars it would be this one. In what should have been a celebration of first’s; from the first deaf actor to win an Oscar (Troy Kotsur), to the first openly gay actress to win a prize (Ariana DeBose) to the first streaming film to win Best Picture (CODA). Instead, all of this was overshadowed by Will Smith taking the stage to assault comedian Chris Rock over a joke about his wife.

Thompson tells us what it was like to be in the room where it happened (she was), the industry’s response to Smith’s actions and what the incident means for the future of the Academy Awards.

Of course we also cover the week’s top entertainment headlines including audiences (and profits) returning to Broadway, the music industry pulls in $26 billion in 2021 and an Indian Telugu language action film nearly tops the worldwide box office.

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Showbiz Sandbox 559: Dune Survives The Streaming Desert

October 26, 2021

Despite being available to stream day-and-date with its theatrical release, Denis Villeneuve’s epic film adaptation of Frank Herbert’s science fiction novel “Dune” opened to strong box office around the world. While we don’t know, and may never know, how many people viewed the movie on HBO Max, it’s availability on the service has surely cut into its box office potential.

Speaking of numbers, Apple TV+ has begun working with Nielsen to get its streaming numbers reported on the company’s charts. And Netflix finally suggests it too will start embracing the “total minutes watched” metric that Nielsen has been using. Maybe Nielsen isn’t dead after all, as so many media pundits have espoused.

Of course we also cover the week’s top entertainment headlines including the latest on the new IATSE contract and the dreadful firearms accident involving actor Alec Baldwin on the set of the film “Rust” that left the cinematographer of the movie dead and the director seriously injured.

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Showbiz Sandbox 556: The Emmys Crown the Streaming Era

September 21, 2021

When “The Crown” took home the prize for best drama at the 73rd Emmy Awards on Sunday it capped a years-long campaign mounted by Netflix to win one of television’s top awards. The streamer picked up a record-tying 44 Emmys including best limited series for “The Queen’s Gambit.” With the Apple+ series “Ted Lasso” winning best comedy, streaming services swept the awards.

Joining us to discuss the Emmys as well as all the movies she saw at the Telluride and Toronto film festivals is Anne Thompson, editor-at-large of Indiewire. She gives us a preview of all the films that were creating a buzz on their way to stirring up this year’s awards season.

Of course we also cover the week’s top entertainment headlines including why the West End is ditching matinees, Christopher Nolan heads to Universal Pictures and Fox picks up TMZ.
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Showbiz Sandbox 539: What the Roku and YouTube TV Dispute Means For Streamers

May 4, 2021

Roku and YouTube TV are locked in a very public dispute over a distribution agreement. Roku claims YouTube is playing games with its user data, while YouTube says it won’t share its user data with Roku. Now the YouTube TV app has been removed from the Roku channel store and if the fight escalates Roku could block the service entirely. We explain how this dispute could shape how viewers access streaming services in the future.

Meanwhile the Grammys are dumping the nominating committees which made the big decisions on major categories. These secret committees were originally created because the voters at large were missing obvious critical and commercial successes like The Weeknd.

Of course we also cover some of the week’s top entertainment headlines including how SAG-AFTRA is creating a certification for on-set intimacy coordinators, John Mayer will host his own music program and hockey gets a streaming payday.

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Showbiz Sandbox 536: Blockbuster Box Office Begins Pandemic Recovery

April 14, 2021

After remaining dormant for most of the past year “Godzilla vs. Kong” revived the box office with the best opening weekend since the COVID-19 pandemic bega. The monster movie has taken in over $350 million globally despite being available on HBO Max. in $38 million despite being available on HBO Max. Does this mean big blockbuster movies can open day-and-date and score big even if they’re available online via a streamer? Uh, no.

Meanwhile, politics is stressing out Hollywood. Whether it’s human rights issues in China or voting rights issues in Georgia, Hollywood is not happy about being forced to take sides.

Of course we also cover some of the week’s top entertainment headlines including producer Scott Rudin being exposed as a bully after decades of bad behavior, “Game of Thrones” may be headed to Broadway and singer Lil Nas X stirs up some controversy with his latest chart topper.

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Showbiz Sandbox 532: Hollywood Jumps On The Email Newsletter Bandwagon

March 9, 2021

Email newsletters are the new black. Much like podcasts, every mainstream media outlet seems to be launching one. Ryan Faughnder, an entertainment business reporter with the Los Angeles Times, joins us to discuss the launch of The Wide Shot. Each week Faughnder takes an in-depth dive into a major Hollywood news story along with highlights of other key industry updates.

Meanwhile, there was more good news for “Nomadland” when the Critics Choice Awards were handed out, though the film hit a snag regarding its release in China. The Grammy Awards are next week and Michael Giltz tells us about his own favorite 2020 albums.

Of course we also cover some of the week’s top entertainment headlines including this year’s Producers Guild Award nominees, why the Dr. Seuss estate is pulling some of the author’s early books and how SoundCloud plans to change payments going to artists.

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Showbiz Sandbox 531: Uncovering A Diverse Set of Problems at the Golden Globes

March 2, 2021

A week before the Golden Globes, Stacy Perman and Josh Rottenberg of the Los Angeles Times wrote investigative pieces detailing conflicts of interest and a lack of diversity within the Hollywood Foreign Press Association; the tight knit and tight-lipped group of 87 international journalists who nominate and choose the winners each year. Perman joins us to discuss her work on the story, which was picked up by every major media outlet, and the immediate impact it had on this year’s Globe’s ceremony. Whether it will be enough to change the behavior and makeup of the HFPA remains to be seen.

Meanwhile, Viacom announced a slate of programming for their new streaming service, Paramount+. Along with 2,500 movies, 30,000 episodes of television and live sporting events, the company will be rebooting hit series such as “Fraiser” with their original cast. The company also revealed that blockbuster films such as “Mission:Impossible 7” and “A Quiet Place II” will debut on Paramount+ just 45 days after their theatrical release.

Of course we also cover some of the week’s top entertainment headlines including this year’s Art Directors Guild Award nominees, why kill fees might be coming to international film sales and recorded music grosses passed $12 billion in North America during 2020.

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Showbiz Sandbox 479: Are Streamers Ruining Sundance?

February 2, 2020

About every five years a new group of deep-pocketed players shows up at the Sundance Film Festival and spends a small fortune acquiring a handful of films causing fear that the industry has been forever changed. This year, some of the world’s largest media and tech companies have invaded Park City, Utah and are picking up movies for amounts far in excess of what makes fiscal sense or what theatrical distributors are willing to pay.

Such companies don’t have to worry about box office results because they are more concerned with a different metric; the number of subscribers they can attract to their streaming service. Now some industry veterans are worried about whether indie distributors will be able to stay afloat with the leftover titles the streaming giants don’t gobble up.

Meanwhile, in China the film industry is down for the count with cinemas shuttered for the second week in a row due to the rapid spread of a coronavirus. Flights to and from the country have been suspended, as has all film and television production. When movie theaters finally do open for business the ripple effect on the Chinese release schedule will be felt around the world as films jockey for new playdates.

Of course we also cover the week’s top entertainment headlines including this year’s BAFTA award winners, Apple and Netflix may be chasing MGM’s film library and MoviePass officially files for bankruptcy.

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