Showbiz Sandbox 269: When Journalists Make Headlines Instead of Report Them
February 17, 2015
Last week a number of respected journalists who have won praise after decades of reporting the news actually wound up in the headlines themselves. First Brian Williams, the anchor of NBC Nightly News was suspended for six month by the network when allegations arose that he exaggerated his experiences while reporting on the Iraq War. Then, esteemed New York Times media columnist David Carr suddenly died after collapsing in the newsroom leading to an outpouring of condolences.
Ironically, overshadowing both of these events was an announcement from Jon Stewart, a self-professed “fake journalist” that he would be leaving “The Daily Show” after 17 years as it’s host. Such news must have executives at Comedy Central reeling, since it comes on the heels of Stephen Colbert’s departure from the network.
On the other hand, Spider-Man isn’t going anywhere. He’s going to stay at Sony, however will be loaned to Disney for appearances in Marvel’s multi-character movies. The studio also plans to once again reboot the Spider-Man franchise by recasting the role.
Of course, we also cover the week’s top entertainment news stories including the huge opening weekend for “Fifty Shades of Grey”, Netflix heads to Cuba and the latest awards season winners.
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Showbiz Sandbox 252: Crouching Netflix, Hidden IMAX and the Myth of Broken Release Windows
October 6, 2014
The Weinstein Co. stunned the entertainment industry last week by announcing they would distribute the sequel to “Crouching Tiger, Hidden Dragon” simultaneously on Netflix and IMAX. As Brooks Barnes of the New York Times explains, the plan only has one problem; movie theaters refuse to show any film that opens day-and-date on home video or video-on-demand. This begs the question, if a movie never opens theatrically, was it’s release window really broken?
Netflix continued to make additional headlines later in the week by signing a deal with actor Adam Sandler to make four original movies for the streaming service. We discuss whether Netflix is changing the Hollywood paradigm or simply becoming one more buyer of premium content.
While Netflix is leaning into the future, director Christopher Nolan is taking a more old fashioned approach by releasing his upcoming movie on actual film. Select theaters showing “Interstellar” on analogue celluloid will get the film two days early. But will theater owners, who recently converted to digital cinema, still know how to thread a 35mm projector?
Of course, we also cover the week’s top entertainment news stories including the death of Saturday morning cartoons, why U2 released their latest album on vinyl and how Facebook is helping “Twilight” live on through a series of short films.
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Showbiz Sandbox 236: Getting Sleep At This Year’s Cannes Film Festival
May 19, 2014
It’s the middle of May so that must mean it is once again time for the Cannes Film Festival, one of the most anticipated and prestigious annual events of the international film industry. This year’s Festival du Film is stocked with titles by auteurs considered to be the world’s crème de la crème. Whether it’s a selection from festival favorite Ken Loach or a timely political movie from Malian director Abderrahmane Sissako, we’ll tell you all about the films that have been hits with the critics and attendees.
Meanwhile, cable and broadcast networks held their annual upfronts in New York last week to announce which series we’ll be watching next season (and which ones they’ve cancelled). The question is with most of the networks moving toward year round programming, are upfronts still an effective method to sell advertising.
The Federal Communications Commission finally published their open internet notice last week managing to please just about nobody. This comes as media companies continue to consolidate with AT&T announcing their plans to purchase satellite TV provider DirecTV.
Of course, we also cover the week’s top entertainment news stories including this year’s Eurovision Song Contest winner, labor disputes at the Metropolitan Opera and Conan O’Brien’s contract gets renewed.
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Showbiz Sandbox 225: Comcast and TimeWarner Cable Is A Marriage Made In….
February 17, 2014
The proposed merger of Comcast and TimeWarner Cable has presented industry analysts with a number of complicated questions. Providing some of the answers is David Gelles, a business reporter for the New York Times, who joins us to provide background and insight into a transformative $45 billion deal that would combine the two largest media and technology providers in North America.
Though there are no legislative restrictions, will the U.S. government try to prevent to the two cable giants from consolidating? What concessions will the regulators ask of Comcast if allowing the merger to go through? How will consolidation give Comcast leverage in negotiations with content providers? Would the combined companies have too much control over the media? Most importantly, what does all of this mean for consumers?
Meanwhile, in the United Kingdom, the BAFTA awards were handed out over the weekend to films with strong British ties. That wasn’t the case at the Berlin Film Festival where Chinese movies took home the top prizes.
Of course, we also cover the week’s top entertainment news stories including Jimmy Fallon’s “Tonight Show” debut, actress Ellen Page’s inspiring coming-out speech, and an update on actor Shia Labeouf’s latest performance art stunt.
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Showbiz Sandbox 218: Reports of Hollywood’s Demise Are Greatly Exaggerated
December 23, 2013
Beating up on the film business seems to be all the rage lately, as witnessed by the New York Times recently suggesting the industry was in “survival mode”. Yet the worldwide box office is about to break another all-time record and home video revenue actually went up in 2012. With grosses rising in several sectors, including television, why is there still a debate over the health of the business?
Speaking of debates, just about everyone this past week seemed to have an opinion about the controversial comments made by Phil Robertson, the 67-year-old patriarch of the family that runs the Louisiana hunting supply company depicted in the A&E reality series “Duck Dynasty”. Was the network too quick in their response by suspending Robertson?
Amazon and Target also acted quickly this past week when they announced they would not be selling physical copies of Beyoncé’s latest album after, in a surprise move just days before, she released it exclusively on iTunes.
Of course, we also cover the week’s top entertainment news stories including the end of Katie Couric’s daytime talk show, Shia LaBeouf’s plagiarism and how talent agencies are relying on sports to grow their business.
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Showbiz Sandbox 201: Why CBS Is Winning The Battle (And The War) Over Cable Television
August 12, 2013
For the past two weeks Time Warner Cable has been blacking out CBS networks in New York, Los Angeles and other major markets over a retransmission dispute. Despite losing more than 3 million households ratings on CBS have remained steady giving the network no reason to back down from its demands. With the new television and football seasons set to begin in September Time Warner Cable may have no choice but to cave in to CBS’ terms.
Meanwhile, this summer’s blockbuster movies continue to underperform at the box office with Disney announcing they may have to take a $190 million write down on losses from “The Lone Ranger”. Actor Johnny Depp and producer Jerry Bruckheimer have figured out who to blame for the movie’s failure; vengeful American film critics.
After being publicly trashed by George Clooney, activist investor Daniel Loeb was unable to convince Sony to spin-off its entertainment divisions. Even so, Loeb says he’s pleased since the company’s stock price is up and its management more accountable to shareholders.
Of course we also cover the week’s top entertainment news including a lost film from Orson Welles, a new ending for the “Finding Nemo” sequel and the surprising new owner of The Washington Post.
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Showbiz Sandbox 186: Bill Carter of the NY Times on Cable Ratings, Jay Leno and the Shifting Television Landscape
March 18, 2013
Bill Carter of the New York Times has been reporting on the television industry for over 30 years. Who better to ask about why nothing seems to make any sense about this year’s television season? For example, cable shows have been pulling in more viewers than any of the networks. Broadcast networks that were topping the ratings just months ago, are now struggling at the back of the pack. As if that wasn’t enough, it looks as if the battle over late night programming is heating up again.
In a wide-ranging conversation, Carter touches on everything from the reason networks have been cutting back their original programming to why ratings have become so complicated to tabulate (hint: it has to do with DVRs). He explains all the troubles NBC is having not only in primetime, but also with their morning news programming. Carter literally wrote the book on late night television (actually two of them), so his thoughts about which of the ever growing list of hosts is most dominant, and why, is rather insightful.
Meanwhile, the Cannes Film Festival announced the selection of Baz Luhrmann’s adaptation of “The Great Gatsby” as their opening night film. What stunned many Cannes veterans is that the festival would choose a film which will open theatrically in North America just five days before it premieres on the Croisette this May.
Of course, we also cover the week’s top entertainment headlines, including “Django” in China, “Veronica Mars” on Kickstarter and David Bowie’s return to the music sales charts.
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Showbiz Sandbox 173: Spoiler Alert! Your Movie Has A Kicker
December 10, 2012
Frustrated at not knowing if the movie he was watching would have any special scenes during or after the credits Chris Ramey did something about it. Ramey is the founder of What’s After The Credits? a website that details kickers, as they are often called, to popular movies, television shows and video games. He tells how what inspired him to create the site and how its grown in popularity.
Speaking of popular, “Skyfall” is not only the most successful James Bond film of all time, it has also become the highest grossing movie of all time for Sony Pictures and the United Kingdom. Yet despite positive reviews, the film hasn’t been appearing in any of the recent year end critic polls.
Grammy nominations were announced last week and with acts like the Black Keys racking up five nominations, including Album of the Year, they had a rock and roll vibe. It is nice to see the Grammys include a lot of fresh faces in some of their top categories and refrain from knee-jerk nominations for veteran performers. We’ll provide a rundown of the nominations.
Of course we also cover the week’s top entertainment headlines including the expansion of iTunes to 56 new countries, Netflix signs an exclusive content deal with Disney and how much Psy is making off of his hit song “Gangnam Style”.
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Showbiz Sandbox 170: Why Star Wars Is Better Off Without George Lucas
November 12, 2012
Two weeks ago Disney surprised everyone by purchasing Lucasfilm for a pricetag of $4 billion. Like the studio’s acquisition of Marvel in 2009, the move makes perfect sense since Disney can exploit the Star Wars franchise in films, television and theme parks. Given the quality of the prequels, it’s not hard to see why fans were relieved to hear George Lucas, the creator of the Star Wars universe, will have a limited role in the sequels Disney plans on releasing.
Speaking of lucrative franchises, the latest James Bond film, “Skyfall” was released to both favorable reviews and huge grosses. The twenty-third installment of the Bond series may earn over $1 billion at the international box office. And all without 3-D ticket surcharges.
Though audiences continue to reject paying a premium for 3-D movies in theaters, consumer electronic manufacturers report that the sales of 3-D capable televisions and Blu-Ray players is on the rise. However just because a TV can play 3-D content doesn’t mean people will take advantage of the technology.
Our former host Karen Woodward joins us for a rundown of all the top entertainment news stories from the past two weeks, including the huge sales figures from Taylor Swift’s new album, Mark Wahlberg signs on for the next “Transformers” film and CBS finally signs up for Hulu.
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Showbiz Sandbox 136: Crafting A Story For The Grammys Through Triumph and Tragedy
February 13, 2012
Los Angeles Times entertainment reporter Geoff Boucher was on assignment at the Grammy Awards when he heard about the the sudden death of pop star Whitney Houston over the weekend. While still covering music’s biggest night, Boucher was given two hours to write Houston’s obituary for the Sunday paper.
At the same time, David Wild was backstage at the Grammys putting the finishing touches on his script for the telecast. A contributing editor at Rolling Stone and best-selling author, Wild had less than 24-hours to work with Grammys producer Ken Ehrlich and revise the awards in the wake of Houston’s passing.
After an exhausting weekend Boucher and Wild join us to discuss how this year’s Grammys focused on two voices; one looking to the future with Adele winning six awards and one honoring the past by mourning the fresh tragedy of Houston’s death.
A whopping 40 million people watched this year’s Grammys telecast, though if we were to believe Nielsen few of them were under the age of 24. Brian Stelter of the New York Times stops by to explain why young people are watching television less often.
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