Showbiz Sandbox 131: Broadway Flops Find New Life On The Road
January 9, 2012
Even the worst Broadway flops can wind up turning a profit once they begin touring in cities throughout the world. Patrick Healy, the theater news and features reporter for the New York Times, explains how sometimes it doesn’t matter if you make it big on the Great White Way, provided you’re a hit in Buffalo. He also provides a glimpse at what we might see at this year’s Tony awards.
Speaking of awards, the Director’s Guild, Writer’s Guild and Producer’s Guild announced their nominations for end-of-year accolades, helping to further define which films might be in the running for this year’s Oscars. Still, there doesn’t seem to be a front runner for Best Picture.
Music sales were up in 2011 for the first time since 2004. As expected, the sale of digital albums rose significantly as CD’s and other physical copies continued to decline.
Of course, we cover all the week’s top entertainment news including Van Halen’s reunion tour, new trouble for Netflix and the resignation of Disney’s marketing head.
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Showbiz Sandbox 115: Record Industry Wages A Quiet War Over Song Rights
August 15, 2011
When the United States copyright law was revised in the mid-1970’s a little-known provision was included that lets musicians and songwriters reclaim ownership of their recordings after 35 years. Artists such as Bryan Adams, Bob Dylan, Loretta Lynn, Tom Petty and Tom Waits are set to regain control of their recordings starting in 2013 thanks to these “termination rights”. Rather than lose control of works worth millions of dollars, New York Times culture reporter Larry Rohter discusses how record labels plan to fight the provision in court.
Also picking a fight is Disney, which halted production of “The Lone Ranger” which was to star Johnny Depp and be directed by Gore Verbinski. Does pulling the plug on Jerry Bruckheimer’s latest blockbuster mean that Depp will refuse participate in another “Pirates of the Caribbean” sequel?
AMC has had its fair share of scuffles lately. After numerous disputes with the creators of their hit shows, AMC has become not only one of the most acclaimed cable networks in recent memory, but also one of the most troubled.
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Showbiz Sandbox 97: What The Failure Of “Mars Needs Moms” Means For Hollywood
March 22, 2011
When Disney’s animated film “Mars Needs Moms” flopped at the box office, film industry insiders struggled to pinpoint a possible cause. Was it the motion-capture animation style? The lackluster storyline? Are multiplexes saturated with too animated family films? Have higher 3D ticket prices caused moviegoers to become more picky? We are joined by New York Times media reporter Brooks Barnes who faults a long list of culprits for the movies failure.
Meanwhile, music industry big shots trekked to Austin, Texas last week hoping to find undiscovered artists at the South by Southwest music conference. However, 13-year-old Rebbecca Black didn’t have to attend SxSW to attract attention. She became the world’s latest pop-star in under a week when her much maligned song and music video turned into a viral Internet sensation.
Streaming video continues to change the television landscape. Video streaming service Netflix made the jump into original programming by picking up a television series. Such a move was aimed at keeping Netflix ahead of an endless assortment of competitors entering the market.
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Showbiz Sandbox 91: Super Bowl Ads Suffer Their Own Recession
February 8, 2011
More than 111 million people watched this year’s Super Bowl telecast; more viewers than any broadcast in U.S. television history. That’s great news for companies that spent big money to run ads during the game. Unfortunately, most of the usually entertaining commercials were downright dreadful. Whether praiseworthy or offensive, we give you the low down on all the adverts.
Documentary filmmaker Michael Moore is taking the Weinstein Brothers to court, suing them for the $2.7 million in “Fahrenheit 9/11” proceeds Moore claims he’s owed. Is it safe to say the Weinstein Company won’t be releasing Moore’s next film?
Turns out nobody will be releasing the White Stripes next album. Jack and Meg White have decided to call it quits. Meanwhile theater critics were so eager to see the new “Spider-Man” musical they couldn’t wait until it opened. Based on their scathing reviews, it’s probably best if it never makes it out of previews.
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Showbiz Sandbox 79: A New Social Music Chart To Rival Billboard?
November 16, 2010
Media measurement company BigChampagne believes that ranking songs and musicians based on radio airplay and record sales is an antiquated method. Joe Fleischer, the company’s Chief Marketing Officer, explains how they’ve added social platforms such as YouTube, Facebook and Pandora into the mix to create the Ultimate Chart, a new music chart giving industry heavyweights Billboard and Soundscan a run for their money.
Speaking of media metrics, the biggest entertainment launch in history occurred last week and it wasn’t a James Cameron movie. In fact, it wasn’t a movie at all, but a video game. “Call of Duty: Black Ops” earned a record setting $360 million in its first day alone.
If that’s not strange enough for you, the biggest headlines coming out of the Country Music Awards may not have been from winners Miranda Lambert and Blake Shelton or even the red hot Taylor Swift. Instead it was actress Gwyneth Paltrow who performed the title song from her upcoming movie “Country Strong”. Paltrow proved she can really belt out a tune, though whether that helps rehabilitate her career or image remains to be seen.
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